Wednesday, December 9, 2020

A Handbag?

Handbag?  Yes, a Handbag.  Lots of handbags, purses and pocketbooks all in a museum exhibit at the V&A in London.  These products might be worth a lot but are they worthy of a museum exhibit?  

 

I won’t be traveling to London to see this one. But if I did, I would set up a pop-up exhibit out in front of the museum.   I would place cardboard boxes on the street as display stands to show off the best knock-off handbags $10 can buy.  

  “No officer, these bags are not for sale.  This is performance art!”

If the de Young is negotiating to host this show, I’ll be ready…



I actually have some history with handbags.   Like most artists, I ended up doing some temp work.   One time the agency sent me on an assignment to a small, designer handbag company.  I headed South of Market to a warehouse in an alley near the Stud.   This was the 1990s, back when some of the warehouses were still warehouses.   There was even a sweatshop on the first floor.

 

The space was filled with cardboard crates full of new merchandise shipped from overseas.  In one corner was an office area.   The temps (we started with three of us) had to work on the floor in the middle of everything.   Our job was to take new, large craft paper boxes and cut and fit them, inside and out, with pretty handmade paper (they spent a fortune at Flax).  The paper had to be spray glued into place.  It was labor-intensive and each box took nearly an hour to finish.  The plan was to use the pretty boxes to ship samples to journalists, fashionistas, etc.   “P.R. Sweetie.  P.R.!” 

 

A handful of enthusiastic, young women worked in the corner office.  All were very well dressed — especially to come to work in a urine-soaked alley.  They were nice and pretty much left us to our task.  Occasionally you would overhear snippets of conversation.   Let’s just say, I never needed to watch Sex in the City.   I lived it for about a week.

 

For a temp job, this was a better one.   Still, one of my temp coworkers never returned from lunch.   Another stopped showing up after a few days.  I was delighted.  More work for me.  All by myself, I worked about 9 days at this company.

 

They were in such a hurry, they asked me to come in on a Saturday.  There I was, all by myself, making overtime.   And here was my chance.   I could steal a few handbags.  But then I asked myself, “What would I do with them?  Who would I give them to?”  I thought about it.  My mom, my sister, all of my friends who carry a purse — not one of them would have any use for these delicate, useless little handbags.  No shoulder straps, small and impractical.  For the record, I did not steal a thing.

 

At that moment I began to realize the real purpose of carrying a designer handbag.  It is not just about the label and the cost. A woman carrying a precious handbag communicates to the world that she only goes to places where she does not have to worry.  Nothing bad happens in her world.  She certainly does not take public transportation.   Does she even walk down a street in a “bad” neighborhood? That handbag says she rides in a very expensive car.  Like those impractical and tortuous high heels, the handbag is way to reinforce her class and her perceived status.

Wednesday, December 2, 2020

Faces in the Mail

Sometimes I am truly amazed by the mail art that makes it through the postal system.   This handmade, cardboard face arrived in San Francisco from William Mellott in Taiwan.

Wednesday, November 25, 2020

Fall Mail

 



The distraction and fear over the election is now over.   We can see the light at the end of the tunnel.  It’s time to review some of the mail art that has arrived in recent months:

 

  1. Meral Agar – Turkey 
  2. Fleur Helsingor - California 
  3. Barbara Stasiowski – California 
  4. Marina Salmaso – Denmark
  5. R.F. Côté — Canada
  6. Peter Müller – Germany
  7. Maria Quiroga – Argentina 
  8. Gregg Biggs – Museum of Unclaimed Ephemera – California
  9. Keith Chambers – California
  10. Serse Luigetti – Italy




Tuesday, November 24, 2020

Reading while Painting


I almost never make art in silence.   There is always music playing in the background, unless I stream television and/or read.  Read?  Well, to be exact, I read by listening to audio books.   While I am working on my Chaekgeori-inspired series and painting books — listening to audio books seems appropriate.

I am not sure the books I listen to influence the actual works of art.  But something does happen after spending hours working on a painting and listening to a book at the same time.   There is some art I have done that, for me, will always have an association with what I was listening to at the time.

This latest painting of another artist’s shelves and workspace will forever be linked with Paul Binding’s The Stranger from the Sea.  There is nothing like getting lost in an engaging tale while absorbed in the minute details of pens, pencils and paint brushes.  

Saturday, September 19, 2020

An Eighties Baby


As I continue to work on my Chaekgeori-inspired series, I am painting my own bookcases as well as my friends’ books and things.   While we all safely social distance, my friends send me snapshots of their bookshelves.  The books we have on our shelves say quite a bit about our personalities.  It should come as no surprise that in my circle of friends, the same books keep showing up – we have a lot in common.  
When it comes to the objects on our shelves, those choices are more unique and truly express our individuality.   When you see a much-cherished Alf doll given pride of place, you can assume that friend is an eighties baby.  

Postmarked or Post-marred?


When you send mail art you always take a chance that it will get roughed up along the way.  Like many artists, I use paper or clear envelopes for more delicate pieces.  When recipients post my handmade postcards online, I have seen some that have been postmarked on both sides.   I know some artists find this frustrating, but there is a side of me that appreciates that authentication.  You know it is genuine mail art when the postmark hits both sides.   That is what happened with some mail art I just received.  Including a portrait piece from Gregg Biggs, a lovely, original watercolor from Margo Hill and the latest sticker remnant collage piece from Heather Ferguson.  

Monday, September 7, 2020

More Books and Objects

Here is the latest still life in my Chaekgeori-inspired series.  This is one of my own bookcases — I can easily recognize nearly every title and I know the story behind every object.  The glass insulator was purchased at a roadside stand on my first trip to the Grand Canyon.  The Canadian, soapstone, totem poles have been on my bookshelves since I was about 10 years old.  On the bottom shelf there is a painting of Rhyolite, Nevada from my 2011 Project and mail art from South Africa from the artist Cuan Miles.

The curious object on the top shelf is a Mörksuggan.  The Mörksuggan or “dark sow” is a piece of folk art I received as a gift 40 years ago when I was first in Sweden.  It gently swings on the edge of a shelf and can come take away bad children during the night.  It’s a rather local and obscure piece of folk art and may be the only one in all of San Francisco.   I never have problem with bad children in my home, so it must work.