As a collage artist you inevitable use other people’s
stuff. There are the old books and
magazines that someone may have read or not. When you get to old maps, there is often a greater amount of
residual energy. Was it a map that
traveled around Europe in a backpack belonging to someone inspired by The
Drifters 40 years ago? Maybe it was a map that spent a life in
a glove box and occasionally witnessed those stressful where-the-hell-are-we
arguments on stressful car trips? There are times I feel my dreams are
influenced by materials I handle all day while making art.
Old postage stamps can have a whole other level of
energy. Mostly I use old,
cancelled postage stamps.
The envelopes cut apart, the stamps soaked from the paper and
dried. All those steps, and there
still may be the physical evidence of residual DNA from a long ago sender’s
saliva. And more significantly,
the old stamps can contain the residual metaphysical energy from the letter’s
contents.
Today I was working on a new collage made with old postage
stamps. I started along the edge
and used a batch of 10¢ Jefferson Memorial stamps from the 1970’s. Each stamp was identical but with a
different history. I began to
wonder what type of letter was each stamp affixed to. Was it a bill that someone struggled to pay? An application for college? A rejection
letter from an employer? A love
letter? A Dear John letter? A birthday card? Each stamp linked to it’s own story,
now lost but yet somehow still attached to the individual stamp’s history. Decades later that stamp, and in a way
that story, becoming part of something else, a new piece of art.
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