I never tire of exploring the California Coast including the
repurposed military bases in or adjacent to San Francisco. Most
have been transformed into parks. I have
a longstanding fascination with the abandoned bunkers and gun batteries. They are like concrete “ruins” from a time
when they were needed to give us a sense of safety and security. Our world is far from peaceful and feels less
and less safe, but the gun batteries that once protected the Bay Area now are basically
obsolete.
Today was one of those perfect sunny San Francisco days, the
Golden Gate Bridge looked fantastic and tourists were snapping pictures of the
view from atop Fort Winfield Scott. But
for us, it was time to see what was hidden beneath the concrete.
The For-Site Foundation
has brought together artists for a site-specific installation titled Home Land Security. As they describe it:
“Home Land Security brings together works by contemporary artists and collectives from around the globe to reflect on the human dimensions and increasing complexity of national security, including the physical and psychological borders we create, protect, and cross in its name.”
The work
is installed in 5 buildings and we began with one of the most powerful and
disturbing pieces – 2487 a sound
piece by Luz María
Sánchez. Ducking my head to enter a
dark passageway where a row of speakers randomly announce the names of 2487
people those who perished crossing the boarder between Mexico and the United
States. You can experience the piece on
the website diaspora2487.org.
Mandana Moghaddam’s
video piece Exodus was the next work
to confront us. The heavy doors are open to reveal a screen where we see
footage of the anonymous, lost luggage of refugees.
Tirtzah Bassel and Michelle Pred explore
the theatre that is airport security.
Bassel offers an installation of a temporary mural using duct tape as
the artistic medium while Pred’s installation is almost lovely until you think
about it — the circle made up of hundreds of small objects confiscate in the
name of security.
The
project website
covers all the installations in detail with many photos, etc. Or ideally, you will be able to visit for
yourself before December 18, 2016.
And you
too can contemplate just how “safe” we all are…
No comments:
Post a Comment