Mound of Butter, Antoine Vollon
This week it was time to
venture out to the Legion of Honor. It was a nice, quiet
afternoon and even the ever-so-hyped-up
special show was busy but not unbearably crowded. That show, Intimate Impressionism from the National Gallery
of Art, is a nice, thorough
collection of Impressionist treasures from the Smithsonian. I recognized some
from prior visits to Washington (see above).
I do love butter, and with
Antoine Vollon’s Mound of Butter,
what’s not to love?
I attended the exhibit
with a friend who is a member, so we did not need to pay admission. Another friend pointed out a real issue with
this show – as usual, the museum is demanding an extra charge to see a special
exhibit. Museums seem to do this now on
a regular basis with their “blockbuster” shows. They sometimes charge extra even when they
show art they own – art from their
own collections. Well in this case, the
Legion of Honor is charging the public extra to see art that we own.
The collection of the National Gallery of Art belongs to you, me and
every other American. Admission is free
at the Smithsonian because the contents belong to the American people. Taxpayer dollars and private fundraising keep
it that way. I’ve noticed the price of
butter has gone up at every supermarket, but what is happening out in Lincoln
Park is simply wrong.
Butter remains a theme
at the Legion of Honor (keep reading).
As is often the case, there is a less promoted yet wonderful show hidden
upstairs – Masters
of Fire: The Copper Age in the Holy Land.
These ancient treasures are aesthetically pleasing and historically
interesting, but what I kept telling myself is that they are all about 6,000
years old. 6,000 years old! Copper, ceramics, carved stone but even
scraps of textiles and a pair of sandals. The age and preservation is
astounding and mostly because of an inaccessible cave in an extremely dry part
of the world. And yes, butter. Well not 6,000 years old butter, but ceramic,
Chalcolothic butter churns (you can see a few examples here).
Many of the pieces in
Master of Fire look strikingly modern.
Some of the zoomorphic ossuaries reminded me of anime characters, much
of the copper and stone work could be placed in a display of contemporary art
and fool many viewers. But for me, the
star of the show was this little stone carved ram (see below). Like a direct ancestor of Henry Moore, it’s artistic
perfection achieved thousands of years ago.
The Masters
of Fire is the first of its kind show in the United States and will be at
the Legion of Honor until January 5, 2015 (and you can see it for the regular
admission price without an extra fee).
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