One of the treasures that turned up in the P.O. Box this
week was from Sandra Lefever in Scarysota,
Florida. It included a postcard from her
grandparent’s restaurant that immediately went on my vintage postcard blog. And
then, wrapped in a little envelope, was this pop-up book made from Chinese hell
money. Check out more of her work here. Thank
you Sandra!
Sunday, November 30, 2014
Friday, November 28, 2014
билет
Today’s piece of ticket-themed
mail art came from Stanislav Semkin (aka Virgo) in Russia. And as always, he makes a cool envelope as
well. Thank you!
Sunday, November 23, 2014
Eintrittskarte
The ticket-themed
mail art continues, this time with Susanna
Lakner. Yesterday her pieces were waiting
for me in my P.O. Box. One incorporated the
tickets I sent and she also used some German tickets, or EIntrittskarte als man sagt auf Deutsch. And Susanna included some extra tickets for me
to use in future art pieces. Thank
you! I need more of these tickets in other languages,
hmmmmm…..
Monday, November 17, 2014
Circus Mail
Continuing the theme of mail art using carnival and raffle tickets
another 12 pieces went out today. These
cards are actually made from a 1980’s Broadway Musical poster for the show Barnum.
The poster was in rough shape and ready for repurposing. It’s also been a perfect opportunity to use
some of the US Postal Service’s Ringling Brothers, Barnum & Bailey stamps.
Sunday, November 9, 2014
A Full Post Office Box
When you are too busy to get to the post office for a while,
the reward is a box jammed with good stuff – unlike at home where my mailbox
was filled most every day in October with election mailers. I definitely prefer mail art. Here are some the highlights that start with
responses to the Keep the
Ticket pieces I sent out last month:
- Fleur Helsingor incorporated the tickets into a small handmade book.
- Marina Salmoso used the tickets for a big piece that also used Denmark’s Hans Wegner postage stamps.
- Angela Behrendt collaged the tickets with some ghosties on a postcard – yes, Halloween is spreading in Germany.
- Mark Dean is adding paint to card with what looks like fashion ghosts from France.
- DK (Diane Keys) sent a piece with a metal ring attached that shows you can get amazing things through the mail without using an envelope.
- Pamela Gerard sent an envelope with handmade cards including some things for one of my favorite holidays – Día de los Muertos.
- Samhain Saluations arrived from Maureen Forys.
- Adrienne Mason sent a card from Canada that includes the new Canadian Halloween Postage Stamps (see here).
Saturday, November 8, 2014
Comfortable with Keith Haring’s Cocks
Not wanting to wait a moment longer, I went to see the
member’s preview of Keith Haring: the Political Line at
the de Young yesterday. It’s the first
major museum exhibit of his work in 20 years and it’s marvelous. Seeing Haring’s work big and bold and in
person has much more impact than the ubiquitous greeting cards and calendars we
have known for the past two decades. The
show also reminds us that Haring’s work went beyond the “safe” pieces we are
familiar with (see greeting cards and calendars). His work was political, leftist, sexual and
queer. Currently the de Young is filled
with room after room of cocks. There is
even some cock sucking right at baby stroller level – and note, it is not
fellatio, it’s good ole all American cock sucking! I can imagine the “Liberal” mommy blogger
crowd in San Francisco will be expressing their outrage as soon as they see
it.
Now to be fair, the de Young website does warn us:
“Please note that the exhibition contains certain artworks that are adult in nature; images included on this site may be violent, sexual, and/or political in content.”
It’s
curious that we have to be warned in San Francisco about political
content. I was perplexed when the de Young’s
curator Julian Cox wrote in the companion book and is quoted in the information
panel on the wall as saying:
“Haring had an uncomfortable relationship to the politics of Reagan-era America.”
Really? I don’t imagine Keith
Haring was uncomfortable – I am sure he knew right where he stood. I suppose, like so many of us, Haring hated
Ronald Reagan and the cabal that put him in power. Hating the devastating economic policies that
still cripple our country today, hating the murderous foreign policy killing
thousands of innocent people in Central America, hating the pandering to
religious fanatics and hating the ambivalence and criminal negligence when
dealing with the AIDS pandemic. Keith
Haring’s blood is on Ronald Reagan’s hands.
If anyone feels uncomfortable here, it might be the rich who control our
art museums with their hand picked curatorial staff. Not all of us have forgotten and acquiesce to
historical revisionism surrounding Ronald Reagan. Many of will never forget or forgive.
But
back to happy thoughts – the show is amazing and beautiful and needs to be seen
again and again. Of course you will exit
through the gift shop, which I have to say, disappoints. It’s back to a world of Haring’s safest
images commoditized on coffee mugs, greeting cards and refrigerator
magnets. What I really wanted was a
magnet version of The Great White Way
(seen above), the original is 14 feet tall, but I’d be comfortable with an 8”
magnet version on my refrigerator door.
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