Showing posts with label London. Show all posts
Showing posts with label London. Show all posts

Wednesday, December 9, 2020

A Handbag?

Handbag?  Yes, a Handbag.  Lots of handbags, purses and pocketbooks all in a museum exhibit at the V&A in London.  These products might be worth a lot but are they worthy of a museum exhibit?  

 

I won’t be traveling to London to see this one. But if I did, I would set up a pop-up exhibit out in front of the museum.   I would place cardboard boxes on the street as display stands to show off the best knock-off handbags $10 can buy.  

  “No officer, these bags are not for sale.  This is performance art!”

If the de Young is negotiating to host this show, I’ll be ready…



I actually have some history with handbags.   Like most artists, I ended up doing some temp work.   One time the agency sent me on an assignment to a small, designer handbag company.  I headed South of Market to a warehouse in an alley near the Stud.   This was the 1990s, back when some of the warehouses were still warehouses.   There was even a sweatshop on the first floor.

 

The space was filled with cardboard crates full of new merchandise shipped from overseas.  In one corner was an office area.   The temps (we started with three of us) had to work on the floor in the middle of everything.   Our job was to take new, large craft paper boxes and cut and fit them, inside and out, with pretty handmade paper (they spent a fortune at Flax).  The paper had to be spray glued into place.  It was labor-intensive and each box took nearly an hour to finish.  The plan was to use the pretty boxes to ship samples to journalists, fashionistas, etc.   “P.R. Sweetie.  P.R.!” 

 

A handful of enthusiastic, young women worked in the corner office.  All were very well dressed — especially to come to work in a urine-soaked alley.  They were nice and pretty much left us to our task.  Occasionally you would overhear snippets of conversation.   Let’s just say, I never needed to watch Sex in the City.   I lived it for about a week.

 

For a temp job, this was a better one.   Still, one of my temp coworkers never returned from lunch.   Another stopped showing up after a few days.  I was delighted.  More work for me.  All by myself, I worked about 9 days at this company.

 

They were in such a hurry, they asked me to come in on a Saturday.  There I was, all by myself, making overtime.   And here was my chance.   I could steal a few handbags.  But then I asked myself, “What would I do with them?  Who would I give them to?”  I thought about it.  My mom, my sister, all of my friends who carry a purse — not one of them would have any use for these delicate, useless little handbags.  No shoulder straps, small and impractical.  For the record, I did not steal a thing.

 

At that moment I began to realize the real purpose of carrying a designer handbag.  It is not just about the label and the cost. A woman carrying a precious handbag communicates to the world that she only goes to places where she does not have to worry.  Nothing bad happens in her world.  She certainly does not take public transportation.   Does she even walk down a street in a “bad” neighborhood? That handbag says she rides in a very expensive car.  Like those impractical and tortuous high heels, the handbag is way to reinforce her class and her perceived status.

Saturday, June 23, 2012

London



London, mixed media on canvas, 10”x10”

This Fall I will have an installation of new, travel-themed, mixed media work.  This month I’ve done pieces about Cape Cod, Paris and Rome.  The series would be incomplete if not for a London piece.  It’s one of my favorite cities in the world and I wish I could get to visit more often.  With a bit of influence of Gilbert and George, Vivienne Westwood and a dash of Petula Clark, among others, here it is, London. 

Wrap a laptop or iPhone or get a print at Society 6.

Monday, April 16, 2012

Public Transportation



Public Transportation, mixed media on canvas, 24”x24”

I’ve lived car free since the 1980’s.  When I am feeling broke, it’s fun to estimate how much money I have saved over the years by not owning a car.  I do drive and rent cars for road trips and also use the car sharing service zipcar.  There are times I want to do suburban shopping errands as well as other times when a car makes life easier.  Living in a compact city with decent public transportation makes it all possible.  Out of both necessity and some genuine admiration, I love public transportation. 

When I travel to different cities I always seek out the adventure of public transportation.  There is something magical about emerging from a subway station in a strange city for the first time.  I still can remember the moment I emerged onto a Barcelona street and beheld Gaudí’s la Sagrada Família.  Many of my dreams play out on public transportation.  I often dream about stations and trains over and over for months before I first see them.  This has happened for me in places like Frankfurt and Washington, D.C.

This new piece is made up of public transportation maps from around the world.  From my familiar MUNI and BART to DC’s Metro, to London’s Underground and many more.  You also might spot a few bits of MUNI Fastpasses, transfers and BART tickets.  I also have a DC Metro Ticket with President Obama on it.  That one stayed on the refrigerator door.  I couldn’t cut that one up.

Prints and other goodies based on Public Transportation are also available from Society 6.


Wednesday, February 15, 2012

My Do-It-Yourself Art Book









Like many artists, I have a growing art library with hundreds of books. For most of us, it takes time. Art books are costly. Many of the books have been purchased used or on sale. Countless times, as I have exited through the gift shop, browsed the books at the museum and have had to exercise restraint. Not purchasing everything I want or even anything.

10 years ago I was on a whirlwind visit to London cramming in as many museum visits as possible — Everything from the old Tate, to the new Tate, to the National Portrait Gallery, etc. I bought a few books and saw so many more I wanted. And then there were the artists I discovered like John Wonnacott. I would have bought a book had one existed with his work. I had to satisfy myself with a few postcards from the museum shop. I bought quite a few postcards during that trip in lieu of art books.

The stack of postcards was growing when I returned home. I decided to buy a simple binder/photo album and began adding the postcards as I collected them. 10 years later my personal art reference book is nearly full and it will be time to start a second one. If I counted all the cards purchased for the book I might be a little shocked by the investment, but I don’t regret it.

Creating your own art book in this way is a way to save money and also add works to a book when a published book may not exist. It is also so much more. It is somewhat of a journal of art you have seen and appreciated. As you look back on it, you may even ask yourself, “Why did I select that one?” It is a record of your taste and how it may change over time. The only difficulty is when the gift shop has a paltry collection of postcards. And for the record, I would not recommend collecting coffee mugs instead of postcards.

Wednesday, July 13, 2011

Elephant Magazine, Issue #7






Issue #7 of the British art publication Elephant Magazine is out. Two of my map pieces are featured in an article about artists working with maps.