Way back when I visited Marfa, Texas I fell in love with
Ilya Kabakov’s installation School No. 6. For me it was the notion that a collage could
jump off the paper and be done on a large scale and fill a space. But Marfa has never really been about
minimalism – it’s about what I prefer to call maximalism. The visit to
Marfa helped inform my own installation in 2012, Imaging Val Travel. This week, I was reminded that I want to do
more installation creating collages in big, large spaces. The current show at San Francisco’s Pier 24,
titled Secondhand, is brilliant.
As the name Secondhand
implies, it’s all about re-use and repurposing – and at Pier 24, that means
photography. For this exhibit, some of
the galleries feel less as if they are curated and more as if they are large
collages in themselves. It begins as
visitors are greeted by a wall of vintage employee badges hung in a grid at the
entrance. The concept of curation as
collage is also evident in three rooms filled with photos of various ages, assembled
and hung as an Archive of Modern Conflict. For me, the show’s star is Erik Kessels – his
installation in almost every picture
includes large reproduced, plexi photo cubes – the ones that were on every
coffee table in the 1970’s. His
installation Album Beauty was my
favorite. Cases displaying various
family photo albums in the center of the room with the albums and photos
reproduced on a large scale throughout the room, including some huge prints
incorporated into the room’s wallpaper. It’s a mix of various stranger’s photo albums
and personal photos. I felt the same
sense of invasive detachment that I feel when I use old, found photos in my own
work. I just kept standing in the middle
room and thinking to myself – I want to do this!
The show runs until May 31, 2015 – but as the museum is
getting better known, I recommend making your reservations well in advance as
things book-up ever quicker.
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