The final painting for 2013

Tanker, acrylic on paper, 8”x10”

As 2013 comes to a close I was using up some of the paint on the palette for the last painting of the year.  This one, perhaps quite appropriately, is of a ship heading out to sea.  An image from the Port of Richmond across the Bay from San Francisco.    

Selections from the Christmas Mailbag

Along with all the photo cards with adorable kids, I also had some nice, hand made, Christmas mail art waiting for me when I returned to San Francisco.  Including pieces by:

1. Jane Gravois
2. Fleur Helsingor
3. Dori Singh
4. Jennifer Utter

A Samplerific Book

Last June I sent my art samples.  This week a terrific, or should I say samplerific, use of the samples was waiting for me in the mailbox.  Susanna Lakner’s little book incorporating some of the sampled art is quite wonderful.
A few more images can be seen here.

celebrate • share • create

As 2013 winds down it is the season to send out my holiday card.  This year each envelope included a postcard with an image of some new collagescape work, and a small glassine envelope with an original piece of collagescape approximately 1.25 inches square.

The back of the postcard had the following message:

---

When I spread my art around the world, I often use the metaphor of opening a packet of seeds and scattering them around a garden.

I never can be certain where my art will grow. 

·      How will others react to it?

·      Who will appreciate it?

·      Where will my art end up? 

With that idea in mind, I am celebrating the holidays by sharing small pieces of art — sending art seeds around the world to grow in the New Year.  May the coming year be filled with art.

Be inspired to be creative, express yourself and share your talents with the world!

Six New Little Creatures

5"x5" each, mixed media on board

From a new series of little creatures.  They include, from top left, the Circus King, the Veggie Monster, the Friendly Monster, Monkey Man, Queen of the Circus and the Ze-Cow-Bra.

#43 is back

The latest piece from the Millennia Mail Art Project has made it back after an 18 month journey around the globe – from Florida to Canada, to Australia to Wales and back to San Francisco.  This one with layers from Artlikeart, Stewart Charlebois, Vizma Bruns and Sarah Churchill.

MUNI to Rodeo Beach

Rodeo Beach Collagescape, mixed media on canvas, 4”x4”

One of the easiest weekend escapes from San Francisco is on MUNI’s #76 bus over the Golden Gate Bridge to Rodeo Beach.  Even if I go with friends by car, it always brings a smile on my face to see those MUNI buses looking slightly lost as they wander the windy roads and hills of the Marin Headlands.  

Angel Island Summer Day

Angel Island Collagescape, mixed media on board, 6”x6”

This is the first Angel Island piece in the Collagescape Series.  This time a more summer palette with the golden grasses and historic buildings contrasted against the blue of the Bay.  There is also a dash of red tile roof and a hint of International Orange from the Golden Gate Bridge across the glistening water.  This piece reflects my most recent trip when it was just such a hot, bright, summer day.

Hiking to Arch Rock

Bear Valley Collagescape, mixed media on board, 6”x6”

One of the best ways to spend the day with a group of friends is to head up to Point Reyes and do the long hike (9 miles roundtrip) on the trail to Arch Rock through Bear Valley.  I always sleep well after that long haul to the coast and back.  I often come back ready to paint.  This time a collagescape that includes the shock of pink as the naked ladies make their annual appearance when they bloom late every summer.  

Fort Funston

Fort Funston, acrylic on paper, 16”x20” and Fort Funston Collagescape, mixed media on canvas 4”x4”

The painting of San Francisco’s Fort Funston goes back to 2000.  Of course I did not cut it up, but if I did, and made it into a collagescape, it would end up something like the new piece above.  After reviewing my photos and earlier paintings, I then paint big fields of color onto paper that I cut up for each collagescape.  

Tennessee Valley

Tennessee Valley Collagescape, mixed media on board, 6”x6”

Tennessee Valley is one of the best parts of San Francisco.  Okay, technically it’s Marin County, part of the Golden Gate National Recreation Area.  But it’s all of 10-15 minutes by car from the Golden Gate Bridge to the trailhead.  It’s a long valley where you easily can lose any sense of being close to the City and a leisurely two-mile hike to the beach.  So “remote” that we once even saw a mountain lion strolling up on one of the ridges.  Wildflowers are best in spring, but the fog keeps it moist enough that some color pops out of the grass year round.  It was inevitable that my Collagescape Series would have at least one Tennessee Valley piece.

Six Little Pieces

Six Little Pieces, made from hundreds of smaller pieces, some of the smaller works from the new Collagescapes Series.  These are all 4”x4” each.

Today's art pun....

I am lichen where this is going.  Working on a Pinnacles National Park Collagescape. 

tofuart.com - updated

Every few years it’s time to give my website a good “spring” cleaning, update the site, edit out the work I show, etc.  One of the best reasons to do this is always for me to rediscover older work that I forgot about.  This particular Death Valley painting is a bit uncharacteristic for my work, but it also makes me want to get the red paint out and do more.

Zabriskie Point, acrylic on paper, 24”x19”, 2002

See more at tofuart.com

Joshua Tree Palette

Joshua Tree Collagescape, mixed media on board, 8”x10”

This is the latest collagescape piece.  This one based on one of my favorite places on the planet.  It’s where I go to clear my head and be inspired.  I have painted Joshua Tree National Park many times.  This time I went for an afternoon palette, but I need to plan for a few more collagescapes capturing Joshua Tree at different times of the day as well as springtime after a wet winter when everything blooms.

Prints and other accessories of some of the images from this new series are available from Society 6.  Contact me directly regarding the originals.  

Art or Candy?

Two small little Collagescapes, 4”x4” each, made with colorful bits of California landscapes.

Death Valley Collagescape

Death Valley Collagescape, mixed media on board, 8”x10”

This is another collagescape piece based on a place I know well and visit almost every year.  This is more of an overview of Death Valley and eventually I hope to make a few more pieces capturing the varied and distinct palettes of different spots in the park, for example Badwater, Mosaic Canyon, Zabriskie Point, etc.

Prints and other accessories of some of the images from this new series are available from Society 6.  Contact me directly regarding the originals.  

Muir Woods

Collage + Landscape = Collagescape

Muir Woods Collagescape, mixed media on board, 6”x6”

The next in the series of collagescapes with a California-Inspired palette, this one based on Muir Woods with a few “dashes” of spring wildflowers.  Each collagescape begins with a review of older paintings based as well as photos from visits I have made to the place.  The next step is to paint the fields of color that, when dry, are cut up and reassembled into a collagescape.

Prints and other accessories of some of the images from this new series are available from Society 6.  Contact me directly regarding the originals.  

Two Views of Point Reyes

Tomales Point Collagescape, mixed media on board, 8”x10”

One of the best parts of living in San Francisco is having the Point Reyes National Seashore in our backyard.  It’s one of my favorite places to runaway too.  I have photographed it and painted it many times. 

My two latest pieces in my new series, Collagescapes, are both of Point Reyes.  The first is Tomales Point at the north end of the peninsula.  It’s the color of November, the elk, the grass, the lichens on fence posts and the old dairy farm, Pierce Point Ranch.  The second piece is Point Reyes, the actual point at the south end of the bay that protects Drakes Bay to the east with the lighthouse at the point.  The red is the color I call Coast Guard Red, the color of the roofs mixed in with the rust, the lichens and the rocks.  Then there are the bright greens that emerge in February after the rains help usher in the California Coast’s early Spring.

Point Reyes Collagescape, mixed media on board, 8”x10”

Prints and other accessories of some of the images from this new series are available from Society 6.  Contact me directly regarding the originals. 

Butano State Park

Butano Collagescape, mixed media on board, 8”x10”

This is another collagescape piece based on a place that I love.  The redwood forest at Butano State Park is one of my favorite city escapes.  It’s quiet and off the radar for most tourists and even locals, it often feels like my personal state park.  It’s also prime banana slug habitat.  Note the streaks of yellow added to the palette.  Like the others, this colleagscape began with a review of my earlier paintings based on Butano as well as photos from visits I have made there.  The next step is to paint the fields of color that, when dry, are cut up and reassembled into a collagescape.

Prints and other accessories of some of the images from this new series are available from Society 6.  Contact me directly regarding the originals.  

Keep Tahoe Blue

Lake Tahoe Collagescape, mixed media on board, 8”x10”

It’s the bluest place in California but the trick is to try to capture all the different shades of blue and the colors of the forests and rocks along the shore.  This is another collagescape piece based on specific places that I love, have photographed and painted often.  Each colleagscape begins with a review of my earlier paintings based on the place as well as photos from visits I have made there.  The next step is to paint the fields of color that, when dry, are cut up and reassembled into a collagescape.

Prints and other accessories of some of the images from this new series are available from Society 6.  Contact me directly regarding the originals. 

The image below shows that this series of pieces are layered and not truly flat.

Last week’s mail

My P.O. Box had some treats (not tricks) waiting for me last week.

The list of mail art includes:

1. A Halloween Coconut from Robert Rios.
2. A new print from Meral Agar.
3. Sally Wassink’s “How to Draw the Human Figure.”
4. And some swell little booklets from Serse Luigetti.

A Little Piece of Mexico in San Francisco

As someone who typically cuts up old postcards to make art (to the horror of some serious postcard collectors), I am bemused but reminded some things are too good to cut up by the current show at San Francisco’s Main Library.  A Little Piece of Mexico - The Postcards of Guillermo Kahlo and His Contemporaries is on view in the library’s Jewett Gallery through December 29^th.   The exhibit features hundreds of postcards of Mexico circa 1900 by various photographers including the German-born, Mexican photographer Guillermo Kahlo – the father of Frida Kahlo.  Some are displayed on black felt, Aztec-inspired pyramids in glass cases – a nice curatorial touch.  I have to look a little more closely at my old postcards before I cut them up, I could have some Guillermo Kahlos in that box.

Collagescapes – Phase 2

Collage + Landscape = Collagescape

Mono Lake Collagescape, mixed media on board, 6”x6”

After making some prototypes and initial pieces using a more general, California-Inspired palette I have started to make pieces based on specific places that I love, have photographed and painted often.  Each piece begins with a review of my previous work based on the place as well as photos from visits I have made there.  The next step is to paint the fields of color that, when dry, are cut up and reassembled into a collagescape.

As much as I love Yosemite, for me, my favorite part might be the places on the other side like Bodie and Mono Lake. 

Prints and other accessories of some of the images from this new series are available from Society 6.  Contact me directly regarding the originals.  

The dead have a story to tell, you need to listen.

Mail art received from Amy Irwen just in time for Día de los Muertos. 

This project still isn’t finished

The starter pieces for the Millennia Mail Art Project were mailed out in June 2012. This week another piece (#42) came back completed.  It’s the first one to come back since April.  I wonder how many are still out there with some layers completed waiting to be finished and returned.

It’s never too late, so finish them up and mail them back…

Is it art?

This piece of 22”x28” canvas board has a lot of history.  This is the board I paint on.  I’ve been taping paper to the back of it, placing things over it for under painting and using it as a studio tool for over 15 years.  Looking back I wish I had taken a photo of it monthly.  I would have captured the top most layers of acrylic paint and now would have a visual diary of my palette-in-process.  Well, it’s too late for that now.  Anyway, it’s time to lay it down on the table while I apply a coat of varnish to the latest piece I am working on.  Is it art? 

Yes, I think it is.

Collagescapes – First Steps

I’ve spent a lot of time reviewing my older landscape paintings this week as well as photos from my road trips and hikes to focus in on the palette I use.  Essentially these collagescapes are new versions of previous paintings.  The first step is to paint places as big fields of color.  Once they’re nice and dry I can cut them up into small pieces for the next phase of collagescapes inspired by places like Butano Redwoods and Point Reyes.  Stay tuned…..

Spring Collagescape Prototype

Spring Collagescape Prototype, mixed media on board, 6”x6”

Collage + Landscape = Collagescape.  Read more about this new series here.  Prints inspired by the series are available from Society 6.

Luke, I am your mother…

Immediately I was amused by Ianna Nova Frisby’s new series of Darth Vader-inspired sculptures.  And that was enough to make me love them.  But the more I looked and the more I thought about it, these are just so delightfully subversive on many levels.

They could be seen as a parody of the collectible Star Wars kitsch sold on the pages of Parade Magazine or the Lillian Vernon Catalog.  I’ve never been in a home with Star Wars collector’s plates hanging on the wall.  I doubt I could keep a straight face.  And then there are all those figurines. For example, there is the one of the scantily clad Princess Leia as a prisoner of Jabba the Hutt.  I had the pleasure of seeing Carrie Fisher’s one-woman show and sat two rows behind George Lucas as Fisher berated him over those figurines (she never received a dime for those). 

I also love the feminization of the iconic villain.  Particularly due to the generally male-dominated, sexist universe depicted in that galaxy, far, far away – there are few females in the Lucasverse and even fewer strong, independent women.  It’s worse than Mad Men.  

You can get a look in person at Luke’s Mother at Axis Gallery up in Sacramento for the 20^th Annual Pink Week happening in November.

This is where I go / a mail art project

Coming up next month up in Canada at the Britannia Gallery in Vancouver is a mail art show called This is where I go. The show is up November 6^th  to 29^th and yes, I do have a small piece in the exhibit.  A little homage to the old Eastern Span of the Bay Bridge.

Collagescapes – Phase 1

Collage + Landscape = Collagescape

Collagescape Prototypes, mixed media on board, 6”x6” each

 Part of the work of making collage is the time and effort spent seeking material that I refer to as collage fodder.  I find the hunt enjoyable poking around thrift stores, yard sales etc.  I also have a great network of friends and family who are always making contributions.  My current show, the Art of Beer, would have been impossible without their help.  That said, I have had a nagging feeling in recent years that the days of collage as we know it, could be numbered.  Basically, as we become a paperless society, or a less-paper society, we are leaving behind less and less ephemera to work with. 

We are still far from the collage crisis, but I am already thinking ahead.  During the 2011 Project I started with the idea of making my own collage material.  For last year’s installation I even made my own “vintage” luggage tags for a collage.  In my latest series, I am carrying the idea further, where I am making all my own collage fodder from scratch.

When I am not working on collage, I usually am painting.  I typically paint western landscapes.  Not that I would dare compare myself to the genius of Diebenkorn, but this summer I was reminded of a certain kinship with his palette.  It’s a palette that most California painters work in.  As I make material for this new series, that is the palette that I am using.  I started with the California landscape, making big fields of color to be cut up and reconfigured into collage landscapes or collagescapes.  A certain reference to maps or aerial imagery, but I am not seeking to be too literal with the finished pieces.  This new series is essentially a coming together of many of the different but connected elements I have been working on for years – landscape, maps and collage.

Shown are some examples from the Phase 1 in the Collagesacpe Series.  Phase 2 will be more place specific, capturing places I love such as Point Reyes and Mount Diablo.

Prints and other accessories of some of the images are available from Society 6.  Contact me directly regarding the originals. 

California Collagescape, mixed media on board, 12”x16”

Inspirational History just across the Bay

Today I got to visit one the of the Bay Area’s newest and I must say, best museums.  It’s the Rosie the Riveter World War II Home Front National Historical Park.  The park is still a work in progress, but in 2012, a temporary visitor center/museum opened with exhibits and short films.

The museum helps tell the story of the women and men who worked building ships as well as worked in other war industries that kept our forces overseas well supplied in the fight to preserve our freedom.  They remind you at the museum that, in part, the war was also won right in Richmond, California.  It’s an amazing story of a town of 23,000 across the Bay that was a mix of industry and truck farms in 1941.  It quickly mushroomed to 130,000 people plus all those who came in to work from surrounding communities.  Their contribution to the war effort included 747 ships built in Richmond during World War II, some in just a few days.  It was an amazing feat and it happened all over the Bay Area and throughout the country.  Even my own great grandmother was part of the effort.  She worked assembling radios for the military back in Buffalo. 

After the visiting museum we went across the way to the former Ford Assembly plants that ceased making private automobiles during the war and switched to making tanks.  It’s now a nice restaurant.  But the day wasn’t over. We drove to the other side of the harbor (past lots full of newly delivered cars from Japan).  We were given a tour of the SS Red Oak Victory, one of the few remaining cargo ships built during the war at Richmond’s Kaiser Shipyards.  Our guide was a World War II veteran who served on a similar victory ship.  The final stop of the day was at the Rosie the Riveter Memorial.  It’s in a waterfront park that was part of the shipyard.  The memorial is laid out along a walkway and short dock the length of one of the keel’s of a victory ships built by the workers in Richmond.

One of the highlights of the day was getting to meet Betty Reid Soskin.  She is our nation’s oldest national park ranger at 92 (she has held the job since she was 85).  Recently she came to the America’s attention when she was featured in news reports about the federal government shutdown.  Meeting pop celebrities is of no interest to me, meeting a star like Ranger Soskin (pictured below) was both an honor and inspirational. 

I’ll be going back, and anyone who visits is going to be taken to up to Richmond, this national park is as important for Bay Area visitors to see as Muir Woods or Point Reyes. 

Ceramics in Civic Center

I can’t spend the whole day at my table making art, well actually I can.  But on a sunny October day I felt compelled to get out, take a little walk and some fresh air.  I found myself down in Civic Center where I happened onto an outdoor show called Ceramics Annual of America.  It’s free, accessible and out there for everyone to enjoy.  The work of most of the participating artists can be previewed on the event site. 

There was plenty of quality work filling the center of Civic Center Plaza and two outstanding artists caught my eye: 

• Katherine Dube’s work is all about grids, circles and patterns, many of my favorite elements.  If I was to head into ceramics I suspect I might end up in a similar place.  Her wall installation Bloom is shown above and more details can be seen on her website.
• Calvin Ma’s work was my favorite in the show.  He was showing work from his Homebodies Series (they all can been on his website) and two are shown above. 

The CAA show had plenty of well done, but dare I say, predictable whimsical ceramics.  The kind of things that fill galleries in places like Sausalito and Carmel – nice, but nothing I that feels new since about 1974.  What struck me about Calvin’s work is that he is building on that tradition but taking in a new direction fusing in the look of contemporary animated imagery but still creating something unique.  I wish a piece of his work was in my budget, because something tells me it’s destine to be picked up by serious collectors and museums.  If they were giving out awards, it would be the best in show.  

More art to be hidden

More mail from Sandra Lefever this week at ArtLikeArt.  These ones designated to be hidden in books.  It makes me wonder if I just start hiding all the smaller art I get in the mail in my extensive collection of books instead of an archive box.  It might be fun to find them or search for them years from now.

It seems to be raining in Hungary

A nice big square postcard received from Torma Cauli last week.

A.P.E. 2013

The Alternative Press Expo (A.P.E.) is always a don’t miss and this year didn’t disappoint.  There is always an opportunity to see some familiar faces as well as make some new discoveries.  It’s also a chance to meet and talk to artists and authors, from the famous like Bill Griffith to the soon to be famous.  The show changes over time.  Felt art seems to have vanished and crocheted characters are definitely on the decline.  Benedict Cumberbatch fan art is understandably big – my favorite was this little book Let’s Learn the Alphabet with Actor Benedict Cumberbatch. 

Some of my favorite new “discoveries” (links below):

• Jesse Cowan’s Little Wolf Comic.
• Joan Wirolinggo’s illustration work, I got a little penguin myself. 
• Tu-Anh Nguyen’s Awkward Boobies (as in the birds),
• Estrella Vega was showing off some beautiful prints of her work.
• Though my favorite this year was Chris Koehler’s series of zodiac prints based on his illustrations and then overlaid with the constellation map for the corresponding sign of the zodiac.

 Next year’s show is moving to Fort Mason, so mark you calendar for 2014.

Øl

A little beer-inspired art waiting for me in the PO Box today. “Øl” is Danish for beer and this piece came from the artist Marina Salmaso in Denmark. 

The Art of Beer at City Beer

For the last 7 months I have been making beer-themed, mixed media art with assorted beer packaging, labels and other beeraphernalia.  The result is a new show I hung today called the Art of Beer.  The show runs through November 3^rd at City Beer in San Francisco.  The work can be previewed at tofuart.com

Airmail

Airmail, mixed media on board, 4”x6”

Some of us still like our mail the traditional way, because we know, as fast as email might be, there is nothing like seeing an airmail envelope waiting for you in your mailbox with a letter for someplace far, far away.  Or in this case, a collage of an airmail envelope made out of old stamps.

Geo Graphic Mail – The Nine of Hearts and the Seven of Clubs

Another AMG image on a postcard repurposed with some Muscle Beach in Venice thrown in.  This time with playing cards added to the mix.  Part of the ongoing Geo Graphic Mail series mailed out this week.

Little Delightful Books

Lots of grooviness has been turning up in my PO Box lately.  I love these little handmade books.  The top one is from Holland from the artist Suus in Mokum, she has incorporated some art samples that I sent out in June.  And the lower one is a little San Francisco souvenir from Phyllis Lucas-Haddon.  

Happy Birthday Yosemite!

Late Afternoon Light, acrylic on paper, 16”x20”

Yosemite National Park is 123 years old today.

Let no scraps go to waste

The work is ready for the Art of Beer opening next week.  Cleaning up and getting ready to make more work, I couldn’t let these scraps go to waste.  This beer art postcard is on its way to Montréal for a recycle themed mail art show.